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NEWS

Big Name performers at Greek Life Events

By:MacNei Ross

The latest trend among Greek life at Georgia Southern University is the game “Who has the better, bigger, and more famous performer at their events. 

 

This “game” has been going on for quite some time. However, each year the competition becomes tougher and tougher, and the performers that hired are by the Greek organizations are getting better and better. 

 

No one likes to be outshined, or lose. If you wanna be the best you’ve gotta have best is what the motto seems to be.

 

The elected social chairs are who are in charge of finding, hiring, and paying the performers.

 

 Emily Hunt, Alpha Delta Pi’s social chair, said, “A manager actually contacted me early on in my term letting me know he could book performers for me, so I would always go through him.”

 

Taylor Sullivan, an alumna of Georgia Southern and previous social chair for Kappa Delta said, “Getting in touch with the performers took a lot of researching.”

 

It was until she found out that her sorority sister’s father was the manager of the Ying Yang Twins, this made booking performers from her on out much easier.

 

“I would mostly contact him for help and then he would give me options/ names to contact,” she said. 

 

For the brothers of Pi Kappa Phi, social chair Conner LiButti went through a booking agency for some of their previous events.

 

“We get in contact with performers usually via booking agencies. For Gorilla Zoe I used the company Frat Shows to get in contact with a rapper,” Libutti said.

 

All of the performers that are hired make a very good living, so how do these Greek organizations afford them? That answer is easy. The social chairs are given social funds from the money that the members pay monthly, which makes up the budget.

 

Sullivan said that budgeting was the hardest part.

 

 Emily Hunt gave us her budget that she was given. For each social she has around $500, semis and other bigger events she has around $1,500, and for formal she get to spend around $25,000.

 

 The main part of the budget would mostly go to the performer said Sullivan. “I would also have to keep in mind that the performer might request food, supplies, etc. that I would have to work into the budget. Also I could not forget about the venue and if the venue had to rent equipment.

 

She said every performer she has booked has had a list of request that need to be ready for there arrival.

 

 Sullivan said Bubba Sparxxx had quite the extensive list. He wanted turkey, ham and roast beef Boars Head deli meat with white and wheat bread and the options of mustard and mayo. With the sandwiches he also wanted chips and pretzels. To drink he wanted a bottle of Rose', Patron, Grey Goose. 3 12packs of Bud Light and any bombs or shots from the bar at the time wanted.” 

 

Some big name performers that have come to Georgia Southern to perform for Greek life are Travis Porter, Waka Flocka, Gorrilla Zoe, Sam Hunt, Cole Swindell, Crime Mob, Georgia Florida Line, Dem Franchize Boyz, and Cherub.

 

Alone, Sullivan has booked quite an impressive set of performers. In the past she has gotten Bubba Sparxxx, Ying Yang Twins, Crime Mob, Florida Georgia Line, and Three 6 Mafia.

Megan O’Shea, a sister of Kappa Delta, said, “My favorite social was our band party during homecoming sophomore year. Florida-Georgia Line came and performed for us, and I was able to get up to front row while they performed. Their music really took off after that so it was really cool to have a private concert like that with them.”

 

When choosing a performer the social chairs also have to choose a theme for the social event.

 

Emily Hunt said, “I typically base the genre of the artist on the social theme but it is usually hip hop or country, which are the two favored music types in my sorority.”

 

The list of performers at these Greek events is pretty impressive. It should be interesting to see who all has come in the next five years. However, is it really worth spending these large sums of money just to outshine the competition? 

LOCAL TALENT USE SOCIAL MEDIA TO GAIN FANS

By: Angelina Reyes 

Georgia SOuthern Club brings new sounds to Statesboro

By: Shane Peaster

Social media such as YouTube, Facebook, Twitter and MySpace has been the gateway of fame for talent for over a decade. Unfortunately, out of the thousands of musical talents out there only a lucky few are discovered and signed by major recording companies.

 

Among the artists that were discovered from social networks are big name celebrities including Justin Beiber, Soulja Boy and Carly Rae Jepsen to name a few.

 

Even though the odds of being discovered from social media are slim independent artists still strive to be discovered and build a fan base on their own.

 

Among these artists is Atlanta rapper, Chinito Truitt, also known as his rap name Tru. Tru has been rapping for over 10 years at small venues around the Atlanta area and uses social networks including Twitter and YouTube to help build a fan base.

 

“I decided to start putting my stuff online in like 2009 because I noticed that recording companies would want somebody that is already hot. So if I could build up a strong enough fan base through social media then there would be no reason I couldn’t easily get signed,” said Tru.

 

So far Tru has accumulated over 1000 followers on Twitter and Instagram.

 

While these numbers are impressive another Atlanta rapper and sister of Tru, Velencia Truitt also known as her stage name Kingz, seeks to gain even more followers than her brother.

 

Kingz started rapping and promoting herself on YouTube in 2013 and has already acquired thousands of followers on Instagram and Twitter as well as over a 1000 views on YouTube. She aims to be discovered by a record label for what she calls “being different from the rest.”

 

“I know that eventually my music will be heard by the right ears. You can’t have 8k on Instagram and not have at least one person know somebody that knows somebody. The more people you have that listens and is surrounded by your music the better your odds are,” said Kingz.

 

Some independent artists have even found a way to use social media as a platform to perform for thousands of viewers.

Independent Atlanta rapper, Joseph Fuller, uses a video streaming website called Ustream to play and perform his music live for people all over the world.

 

“I started using YouTube to post music videos and stuff about two years ago and then I discovered Ustream. Ustream makes it possible for people all the way in China to hear what I have to rap about. It’s pretty cool because without social networks it would be much harder for that to happen,” said Fuller.

 

It is not a secret that once you meet a certain amount of subscribers on video sharing sites such as YouTube that the network will actually begin to pay you for promoting products and advertising on videos.

 

This contributed even more for the push to promote music on social networks.

 

Aspiring artist Kayla James, also known as her pseudonym Lauren, was given the opportunity to fly to Atlanta after competing in a YouTube rap competition. She was given the opportunity to network with music executives and perform for industry professionals.

 

James explained that without YouTube or competing in that competition on the video sharing website she would not have had that opportunity.

 

“I owe my success this far to social media. I’ve literally built my brand just by using my laptop, it’s crazy,” said James.

 

For any more information on any of the independent artists listed in this article please follow their social media accounts listed below. 

In the larger cities of Atlanta and Savannah, finding a venue for live music may be as simple as walking around the corner. However, when it comes to the rural city of Statesboro, Georgia – home to Georgia Southern University and a total population of around 30,000 people – it begins to become more difficult to find a live-music venue.

 

In Statesboro, local bars have led the way in serving as venues for live performers on the weekends. Typically, these live performers have been local country artists playing an acoustic set.

 

That isn’t to say that larger acts haven’t passed through the small college-town before. Acts like Roscoe Dash, Sam Hunt, and Cole Swindell have played at various bars in the area, but these appearances seem to be few and far between.

 

That is, until Club 125 came to Statesboro in late 2014.

 

The club, now in its sixth month of operation, has brought a fresh feel to the live music scene in Statesboro.

 

The first entertainer to perform at the night club was hip-hop star Waka Flocka Flame, just a month after the club opened.

 

Meg Elwood, graphic designer for Club 125, described the event as completely chaotic.

 

“The people were just animals around someone famous like Waka Flocka. It was absolutely crazy. The audience was going crazy for his music,” she said.

 

Elwood has attended almost every live event that Club 125 has hosted and points out how diverse the crowd’s musical tastes seem to be. She said she thinks hip-hop is the most popular genre among the Georgia Southern students, but there has also been a great turnout whenever other genres pass through.

 

Through the past four weeks, Club 125 has played host to a weekly concert series put on by Airbound Entertainment, a local Statesboro artist management and booking agency.

 

The concert series features music from various genres, including “jam style” bands, Electronic Dance Music artists, and country artists.

 

William Bridwell, operation owner of Airbound, says he thinks this area is a great market for live music.

 

“With the college being here, the diversity is amazing,” he said. “We have this great market because of the college. We can bring in bigger acts so people won’t have to travel to Atlanta or Athens.”

 

Bridwell said before Club 125 opened up, the problem in Statesboro was having a big enough venue to house these types of concerts.  He says now that there is such a venue, people just need to come out and support the new scene.

 

“And that’s why we try to get genres across the board, to cater to the diversity of the community,” Bridwell said.

 

Between Airbound’s concert series and Club 125’s own booking, Statesboro’s diversity has been catered to.

 

Andrew Colter, junior political science major, has enjoyed seeing a vast array of talent pass through the area.

 

“I’m from a small town too, so having these acts pass through is awesome,” he said. “It’s great that we can have Roscoe Dash and Waka [Flocka Flame] one week, and then a country band the next…What they’re doing for GSU is great.”

 

Club 125 is currently one of the largest bars in Statesboro, but hopes to take on that role of being the best place to go to hear live music.

 

“We’re really trying to be the concert venue here, so it won’t just be that single genre. People are really trying to get a nice mix, and that’s what 125 is trying to do right now,” Elwood says.

 

Club 125 and Airbound Entertainment continue their diverse lineup over the next two weeks by bringing in a Jimi Hendrix tribute band and the Ryan Kinder Band, a rising country act.  

GSU SPRING BUST

By: Trevor Mcnaboe

For the first time in over four years Georgia Southern University hosted a rap artist to perform for students at what was dubbed the “GSU Spring Bling” concert.

 

 

While Ludacris wowed the audience in 2010 with a memorable performance in J.I. Clements Stadium, Migos made the performance memorable in another way.

 

 

The trio from a suburb outside of Atlanta generated buzz amongst students when it was announced in mid-February that they would be selected as the artist for the annual school spring concert.

 

 

“I’ve been so excited since the university announced that Migos was coming here earlier this semester that I had to get two tickets for it,” said Joe Young, a junior computer science major.

 

 

However the crowd of more than 2,000 who packed into Hanner Fieldhouse to watch the group’s performance was cut short when they were pulled off the stage 30 minutes into their set, which started 90 minutes late.

 

 

According to a press release County Sheriff Lynn Anderson, the group was pulled off stage after a strong pungent odor was emitted from the two vans that they rode in. Police searched the vans and after finding marijuana, a schedule II controlled substance, and several guns they arrested a total of 15 individuals including all three members of Migos.

 

 

“I was really bummed that they didn’t perform that long especially since I paid $20 for floor tickets,” ”, said Drew Chartrand, a sophomore biology major.

 

 

Migos was originally contracted to play for 45 minutes however only fulfilled 30 minutes of their performance according to Jan Bond, associate vice president of marketing and communications.

 

 

“The contract is under review,” [Bond] said.

 

Students voiced their displeasure in various ways through Facebook and Twitter.

 

“It’s a shame that this happened because now I don’t think any big name artist will want to take a chance of getting in trouble down here with all that’s gone on,” said Chris Stewart, a junior marketing major. 

 

Cover Vs. Tipping

By: Trevor Mcnaboe

 

Attracting and keeping clientele is a necessity in the bar business here in Statesboro, GA home of Georgia Southern University. With a population of over 20,000 students competition to attract `students to come is fierce.

 

A popular option is having local musicians come play as a source of live entertainment as opposed to the usual DJ or house playlist that bars have.

 

Acquiring gigs for local musicians is normally not a lucrative option however it does provide a way to get their name out there and provide the potential for future shows.

 

There are ways that owners can compensate the musicians including charging cover at the door or allowing the musician to receive tips from bar patrons throughout the night.

 

Most bars in Statesboro take the cover route to pay for the band coming in charging $5 when you get your I.D. checked.

 

“Cover is a huge bummer when it comes to me going out, I won’t pay anything more than $5 to get into a bar especially if it’s not someone reputable” said Brian Wood, a sophomore chemistry major.

 

 

Afroman recently came to Rum Runners, tickets were sold for $5 before the event and cover was $10 at the door to pay the $3000 cost to book him.

 

“When bigger musicians come in we normally sell tickets at a lower rate before the date of the concert, and higher at the door,” said Wynn Owen, a bouncer at Rum Runners.

 

Another example is the Velcro Pygmies came to South City Tavern with cover costing patrons $7.

 

Club 125, a local night club booked Waka Flocka for a concert last fall and sold tickets for up to $30 in order to cover his appearance fee.

 

“Without charging more than the usual cover there would’ve been no way we would’ve been able to book Waka Flocka”, said Tyler Finazzo, one of the house DJ’s at Club 125.

 

Many times it is these types of bands or artist that cover comes into play, while more local musicians and artists will find sources of income through smaller booking fees and subsidize through tips.

 

With the recent success of country singers Luke Bryan and Cole Swindell, both former students at Georgia Southern, country musicians have become a frequent option that is played at local bars. With the hopes of making it big one day the musicians will settle for small cover charges and tips to continue their dreams.

 

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